Saturday, March 18, 2017

Getting Inky!

My drying rack is full again!

I haven't posted in months, but that doesn't mean that I haven't been making artwork! After wrapping up my residency in early December I dove into the comings and goings of the holiday season with gusto. We traveled, hosted and made merry all over the place. Mid January I finally stepped out of the social swirl (a bit thicker around the middle) cleared the wrapping paper, ribbon and assorted boxes of my studio table and decided it was time to start making some art again.

The first thing I did was welcome some art friends into my studio to play. I had been so quiet and solitary there for the past 3 years that it felt lovely to fill my space with chatty creative friends who took to mono typing and printing with gelli plates like ducks to water. Over the course of several sessions we had generated literally hundreds of bright, beautiful prints, and a new band of budding printmakers.

Approaching art more playfully for a while has been a delight. I have experimented with some different painting techniques and materials with no particular end result in mind. I have also dipped back into my love of printmaking,  joining a group of printmakers who work out of a remarkably well equipped studio overseen by Vinita Voogd at GoldenWest College. There I have enjoyed returning to my long standing love of etchings.  Technical and process driven, creating plates and editions is delightfully different from the painting I have focused on for the last 6 years.

In following posts I will show you the variety of prints and paintings I have been having fun with lately.
See you again soon! 

Sunday, November 20, 2016

Late Summer Volcan View

Late Summer Volcan View
18x24 oil on panel

This piece completes my 10 painting series examining the plant life on Volcan Mountain in Julian California over the course of the last year. In late August the grasses on the mountain have been bleached by the sun and and rustle in the hot breezes that move about the mountain. The grassy ridges and meadows seem to bounce the brilliance of the of the sun back to the sky. Light and heat seem to come from everywhere. 

Walking down the trail after the long hot hike to the 5,500 foot summit I was struck by this lovely long view up the westerly face of the Volcan Mountains. It's a timeless sight, a succession of ridge lines and valleys, habitats in large part still untouched. 

I am so thankful to have had the opportunity to spend a year scrutinizing this beautiful environment under the sponsorship of the Marjorie and Joseph Rubenson Endowment for Art and Science of the Volcan Mountain Foundation. My lifelong love of the wild lands of Southern California has become a driving mission to preserve and protect wherever we can. As my knowledge and understanding of the the importance of wild spaces has widened, my commitment has deepened. The hard work of the Volcan Mountain Foundation is a gift to the future. It's fight to preserve and protect over 17,000 acres since 1988 has protected the headwaters of the watershed that feeds the San Diego Basin, and has preserved the incredible biodiversity of wildlife and wild lands.

The soul opens watching a hawk circle in an updraft, startling a doe and her fawns in a grassy meadow, hearing the throaty jumble of sound a wild turkey unleashes from it's perch high in a tree top, and knowing that all of us are carefully observed by a thriving community of mountain lions.
Knowing that the Manzanita, Oak, Cedar, grasses and shrubs move through their reproductive cycles, producing flowers, seeds, nuts and berries in an unending cycle of regeneration is deeply reassuring. It is in the natural setting that the continuum of time is felt as much as it is understood. 

We are forever in debt to those who combine conservationist though with sustained hard work to preserve and protect our natural world. I offer heart felt thanks to the Volcan Mountain Foundation for their exceptional good work, and to the Marjorie and Joseph Rubenson Endowment for the opportunity to develop paintings that express my gratitude for all the Foundation has accomplished.

I will present the series to the Volcan Mountain Foundation and their supporters at a fund raising dinner on December 2. It will move to the Julian Public Library, where I will conduct a "Conversation" about the paintings and the experience of being an Artist-in-Residence on December 3 at 10:30. The show will continue throughout December and then move down slope to the Ramona Library. The exhibition will continue to move down the watershed to San Diego. Specific dates to be arranged.

Tuesday, November 1, 2016

Cedar Grove

Cedar Grove
Volcan Mountain
12x16 Oil on Panel

Roughly three quarters of the way to the 6000 foot peak of Volcan Mountain the trail plunges into a stand of Incense Cedars. For most of the year the deep shade is welcome, and at others the shelter these enormous trees offer is welcome when wind and rain descend on the mountain. In the hush that the trees and their feathery branches create, powerful trunks rise like ancient doric columns holding up the sky. Their erect and powerful presence is counterbalanced by curving branches and soft, feathery greenery. In late summer when pink and green immature cones nestled in the rich green arching right and left I couldn't resist making the scene the subject of a painting.

The completed painting is at the top of the post.

Monday, October 24, 2016

Bee and Manzanita Blossoms

Bee and Manzanita Blossoms
Volcan Mountain
12x16 oil on panel

In late February I was entranced by the waxy white blossoms that covered all the manzanitas as I hiked up Volcan Mountain. It looked as if there were drifts of snow on either side of the trail. The hardy plants, with their famously hard wood and their thick, rigid leaves produced the most delicate blossoms in pristine white. With the lyrics of Edelweiss ringing through my brain, I took photo after photo of the delightful clusters. 

 I found one composition that I loved for a juxtaposition of bright white blossoms and a crazy cast shadow pattern on the leaves below. I was framing a number of compositions of it when one of the bees that were moving all over the mountain flew into my photo. Magic! 

My focus in this residency has been on the plant life on Volcan Mountain. As we all know, there would be no plant life without bees. The depth and breadth of the work done by these industrious creatures is nothing short of miraculous. 
 In a series of paintings about plants there must be a Bee!

The completed painting is at the top of the post.

Tuesday, September 27, 2016

Peeling Manzanita

Peeling Manzanita, Volcan Mountain
18x24 Oil on panel

One of the pure pleasures of hiking on Volcan mountain is walking through an extensive tunnel of manzanita at the base of the Five Oaks Trail. Never before I first ventured to Volcan Mountain had I found myself enclosed by a tangled forrest of 10 to 12 foot high manzanitas. Such a pleasure! As long as I can remember I have loved manzanita's satisfyingly smooth bark that seems to glow with an inner light. It's trunks and branches look almost animal, as if there are muscles rippling under the surface of the warm and lusterous surface.

The plants are interesting all year, producing delicate blossoms, berries of multiple colors, and then they do this! Starting around May the trunks and branches start shedding their old bark. As the plants grow, cracks develop and the old bark begins to roll up into tight curlicues. The newly exposed bark is a bright green but transitions within a matter of days into the gorgeous orange, red, purple colors the plants are known for.  The color combination lit my art heart on fire, and I felt like giggling when I focused on the curling shapes of the old bark.

Like a snake, the plant sheds the outer skin that has protected it for the year. Tannins make the bark bitter and even toxic to some invasive organisms, and they also give the plant it's distinctive coloring. By November the shedding process is complete, and all the old curled up bark has blackened and fallen away. The new bark has matured into it's luminous reds, oranges and purples and is silky once again. 

The finished painting is at the top of the post.

Thursday, September 1, 2016

High Summer Manzanita

High Summer Manzanita
Volcan Mountain
12x16 oil on panel

By early August the pace of my hikes up Volcan Mountain was slowed by the heat. The upside was that I spent even more time than usual with my favorite plants, observing their changes since I visited with them 3 weeks prior. Most plants were pulling down in the heat of summer. My hiking partner suggested that summer probably wasn't a great time to find plants doing much of interest. Shortly after we came across this manzanita that was doing all sorts of showy things at once. He nodded appreciatively and promised to never dismiss mother nature for a day much less an entire season!

My value scheme for the painting

Mid way through laying in the first layer of color

All light and shadow, warm and cool is established

After several days of refining the details the painting is complete

Monday, August 15, 2016


Volcan Mountain
12x16 oil on panel

A tangle of waist high gooseberry bushes have drawn my attention time and again as I have hiked up Volcan Mountain. They are thick in the shadow of the second rise of the mountain, just past where I generally sit in a meadow to rest my legs, have a bite to eat and watch the hawks circling on the wind rising from the valley below. Each month the gooseberries show off in a new and delightful way. Their thick, glossy leaves first shelter hanging blossoms that fuchsia fans would love, then in spring they produce spectacular yellow pods that develop a bristling brilliant crimson stubble. As summer's heat builds the pods deepen in color, turning red and then moving to a rusty brown. The leaves loose their luster, begin to look tattered and drop leaving arching canes to weather the winter.

Just another marvelous cycle of regeneration I've been following while hiking Volcan Mountain!

I more closely documented the steps in developing this painting than I usually do. Below is the sequence, covering about a month of elapsed time.

This time the finished piece is repeated here at the bottom, in order to make all the changes in each step more visible.